جدید سرائیکی نظم میں سندھ وادی کا رومانس

Abstract

The Saraiki region is the central part of the Indus Valley. The people of the Saraiki region have been the victims of attack and exploitation by foreign invaders and usurpers for centuries. This attack and exploitation has given them nothing but a sense of deprivation and inferiority. When Harappa and Mohenjo-Daro were excavated by the Department of Archeology during the British era, it gave a sense of pride to the people here and thus the beauty of the Indus Valley, its ancient monuments and its rivers became the romance of the people of this region. The excavations of these archaeologists gave the people of the Indus Valley a pleasant feeling and pride that they are not inferior creatures from outside, but they are the original heirs of this great civilization. It was a great feeling. This realization opened new doors of knowledge and literature. This feeling changed the aesthetic of the poetry of the Saraiki region. From local metaphors, similes and symbols, that artistic and intellectual beauty was born in Saraiki poetry, which made Saraiki poetry equal to the best poetry in the world.In Saraiki Modern literature, Saraiki poetry has widened the meaning and scope of Romanticism. Modern Saraiki poetry has its own Romanticism. This new Romanticism in Saraiki literature has its own romantic elements. Among these elements, the romance of Indus Valley is very prominent in the poetry of modern Saraiki poetry particularly in the genre of modern poem. In the article, an overview of the romance emerging from these excavations will be presented in the way the Saraiki poets have appreciated and celebrated it in their poems.