A SEMANTIC TRIANGLE ANALYSIS OF SELECTED SYMBOLS IN JANE AUSTEN’S PRIDE AND PREJUDICE

Abstract

This study examines the construction of meaning in Jane Austen's Pride and Prejudice through Ogden and Richards' Semantic Triangle of Meaning (1923). The study adopts a qualitative approach to analyze selected linguistic and literary symbols in the novel. The analysis focuses on the three elements of the Semantic Triangle: symbol, thought/reference, and referent. Selected symbols, including pride, prejudice, marriage, wealth, estate, outdoor spaces, food and dress, are examined in their textual and contextual settings. The study investigates how these symbols acquire meanings beyond their literal definitions and how they contribute to the representation of characters, relationships, social values, and major themes. The findings indicate that the meanings of symbols are strongly influenced by their narrative contexts and by the characters, situations, and social conditions with which they are associated. Abstract symbols such as pride and prejudice represent changing perceptions and psychological attitudes, while concrete symbols such as estates represent wealth, social status, heritage, and character. The study concludes that Ogden and Richards' Semantic Triangle provides a useful framework for examining how linguistic and literary elements construct meaning in fictional discourse. The research also demonstrates value of applying semantic analysis to literary texts and contributes to the understanding of Austen's use of language and symbolism in Pride and Prejudice.