A STYLISTIC ANALYSIS OF THE HOLY QUR'AN: INTEGRATING THE LEECH AND SHORT MODEL WITH CLASSICAL ARABIC LINGUISTICS

Abstract

This paper presents a systematic stylistic analysis of the Qur'an, integrating the multi-level framework of Leech and Short with Classical Arabic linguistics. It examines how the text's distinctive choices across lexical, grammatical, rhetorical, and cohesive levels produce its unique expressive power. Through close analysis of selected verses, the study highlights key features including strategic ellipsis, grammatical shifts (iltifāt), and profound polysemy. These elements work in concert with intricate sound patterning to generate the Qur'an's renowned rhetorical impact (balāghah) and mnemonic quality. The analysis demonstrates that the Qur'an’s language operates as a cohesive artistic system. Key findings show that sound and meaning are deeply linked, grammar is used for deliberate rhetorical effect, and single terms often carry layered theological meanings. Furthermore, the text’s syntactic structures such as the use of nominal sentences for timeless truths contribute to its semantic depth. This linguistic artistry underpins the classical Islamic concept of inimitability (iʿjāz). By bridging traditional philology with modern stylistics, this study offers a structured approach to appreciating the Qur’an's enduring significance as a literary and linguistic phenomenon.